Published in Landscape Photography Magazine

First, I want to apologize for my lack of writing recently! I’ve been busy with work these past few weeks (photography and non-photography related), but I will definitely make an effort to share more of my thoughts. Lord knows there are many, and all at the same time :).

I was recently published in an electronic nature and landscape photography magazine, aptly titled Landscape Photography Magazine. The publication showcases portfolios, and publishes stories and informative articles provided by nature photographers across the world.

Published in Issue #7 was my adaptation of the three-part blog series on my trip to Olympic National Park (see parts one, two, and three).

Well, this is a pretty exciting development for me. I’m glad that this article will allow more people to see my work! One of my most rewarding experiences about photography is sharing my captured moments with others.

Landscape Photography Magazine is by paid subscription ($9 annually — not a bad price for a great resource on photography). But, if you’d like to see a low-resolution version of my article, shoot me a note!

Till next time, when I can show you some of my in-progress images 🙂

First Images from the Martin Luther King Memorial

As you may know, today the Martin Luther King (MLK) Memorial, The Stone of Hope, opened on the Tidal Basin, in Southwest Washington, D.C. While it’s official “coronation” doesn’t happen until August 28th, the public finally got its first look at the long-awaited memorial today. Of course, I scouted it myself and took this image of the MLK memorial.

(FYI – When you get there, try to park at down near West Potomac Park. You have to park pretty far down on Ohio, then walk back up to Independence to gain access to the Memorial.)

While I was there, I felt mixed emotions. I was happy to see a memorial to a man who meant so much to American History finally present itself in grandeur. When I looked around to the crowd, I noticed so many more African-Americans than others. I realized then that although myself and the non-African Americans have the right to feel pride in a memorial that illustrates our path to freedom and equality, African Americans and their ancestors must feel a much closer appreciation for and understanding of this achievement. Nevertheless, I still owe Dr. King so much. As a man of color, I am a product of Dr. King’s dream and owe many of my opportunities and liberty to him.

Stone of Hope Martin Luther King Memorial

“Out of the Mountain of Despair, a Stone of Hope”
Martin Luther King Memorial Image

Precious Moments

Photography is a way for me to express my spirituality and belief in something beyond this world. In every shot of mine, I try to include elements of nature so that they evoke emotion & wonder from you, the viewer, as it did me when I clicked the shutter.

The natural world is amazing for so many reasons — one such reason is the mystery of what lies beyond it. The structure of birth, life, and death that is evident in every facet of this world is so certain, yet so hard to grasp. Every being on the Earth knows its time on the planet is limited, and therefore strives for a healthy and productive life. And, I believe that we feel a simmering from our subconscious that reminds that life is fleeting, and makes especially us humans appreciate the good, bad, and complexities of it.

Death is never a happy milestone in the course of natural order, but, it is not unhappy either. It’s the necessary process required to continue the sustenance of our planet, and breathe new life into all types of organic relatives. It also is necessary in preserving the sanctity and value of life on Earth. After all, what would life even mean if there weren’t an opposite in death?

The question that remains is what happens to the soul that was carried in the organic body once alive on the Earth. The wonder and awe I have in the perfect chaos of the Universe and our planet hints to me that the soul, of which I cannot describe in words, lives on. I believe the soul, which every being in the earth has, fits into another natural order which we have yet to see or cannot remember.

So while we cannot ever celebrate death, I pray for the souls of the Earth. I pray that the signs I have seen from this planet are true: that souls truly exist. I pray that they are taken to a place of ultimate understanding and peace: where questions don’t exist, where time is irrelevant, where all is pliable.

I pray for you, for me, for all of us. And for those who have departed the Earth.

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Finalist in the 75th Anniversary: Views of Shenandoah Contest

Just a quick plug here 🙂

Two of my shots from my trip last year to Shenandoah National Park were chosen as finalists in the Views of Shenandoah Contest. My shots, among others, will be printed and hung in the Charlottesville Community Design Center in Downtown Charlottesville, VA and has a chance of winning the contest.

The winner will be chosen on August 5th during the reception ceremony. More details can be found here.

Unfortunately, I’ll be out of town that day! In any case, I hope for a good result.

Here are the two images that were chosen as finalists:

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Fall colors show on rolling hills of the Shenandoah Mountains at sunset

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The sun slinks away behind the Blue Ridge mountains of the Shenandoah Valley

 

 

 

Images of India

Recently, I posted some images from my family’s trip to India in April.

During my trip, I spent some time in the south of India (where my family is from), Chennai. There, I stayed at a local alumni club and visited my parent’s friends and family. Also, while in the south, I attended my cousin’s wedding at a temple near Chennai.

Overall, I found the south to feel very welcoming. Maybe it is because I can speak the language, but I felt a little less rush and rumble as the rest of India.

For example, I wandered outside the temple where my cousin got married and found myself in a small, friendly, and vibrant community.

I went exploring a courtyard of temples, hoping they would be empty and I could some of the architecture and light flowing in from the windows. As I walked into the temple, I noticed young boys walking around with ‘poonals’ and ‘vaishtees’, Indian spiritual and comfort garb, respectively. I knew right then it was a temple school for Hindu priests.

One by one they noticed me walk into the school, and scaled curiously towards me. After 30 seconds, about 12 boys crowded around me like I was a movie star. They must have been taken with my obvious western style: ray-bans, a yellow polo shirt, and white cargo shorts. Shortly after, the elder of the school showed his face and cooly beckoned me into his office.

As the 5 or 6 mostly pre-teen and teenage boys poured into the office and listened intently, the elder asked me where I was from and otherwise about me. Through my broken Tamil, I conversed with him. After a brief time, I asked politely if I could take some photos of the students. He respectfully obliged and led me out to the main room of the school. Once the boys figured out what was going on, they started streaming from up and down the halls, so excited to get a picture.

After some portraits, I packed up back towards my cousin’s wedding. When I bid them goodbye, it was a warm but humble feeling. I couldn’t imagine a life where I would get so excited to see someone just like me. Yet, in another life, the life of those kids could have been my own, if I were to have been raised where my ancestors had.

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A school of young Rishis crowd around for a portrait, while one is just a little late to the party.

A little later that day, I came back to explore the courtyard of temples. There, a young student grabbed me, excited to show me something a little further down the way.

I followed him past the temples, and was taken aback by a large domesticated male asian elephant. After I took some shots of him, I conversed a bit with the elephant’s owners or stewards. One of the boys suggested I take a photo of the steward and he meekly accepted everyone’s encouragement. I think the warmth of this man shows through his portrait, along with evidence of a different type of life:

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A friendly steward of a domesticated elephant in a temple near Chennai, India


While south India and India in general is often a warm and welcoming place, there are elements that still remind that it’s still lacking in some ways.

As nice as I felt after interacting with the students and the elephant stewards, I felt bad for the state of the earth and life in India.

For example, while it was nice to see an elephant, it was NOT nice seeing it captured, chained by the leg, and writhing with discomfort. I don’t know whether the elephant was always in such a foul mood, or that he was distressed by my presence. But it seemed to me that the elephant didn’t have the most tenable living conditions: an open shack that rose slightly above him, no moving let alone running space, and no social interaction. This portrait shows the intensity in his eyes and reminds of his status in his ‘innoculated’ tusk:

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At a temple near Chennai, a domesticated elephant, chained by the leg, writhes and bellows with vigor.

Also, the environment across India is not treated with respect. This photo, taken just outside the spiritual temples and right next door small houses, is worth a million words:

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A cow wades for food in an ad-hoc landfill near a Chennai temple.

This scene is repeated across India. And when this next-door, makeshift landfill is full, residents will walk next door to burn it to make more room.

I can do little more to describe this. It seems to me a bit hypocritical when compared to the basic Hindu values of sanctity in the earth and life.

After spending time in south India with my extended family, we headed north to tour the famous cities of Agra, Jaipur, and New Delhi.

I enjoyed visiting the ancient and adorned cities, when I could deal with the searing heat. In comparison to the south’s green, humid lush, the north was tinted a hazy sepia, and was drier on land but seemingly not in air:

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Sunrise brings light to the depths of the the Pink City: Jaipur, India.


Of course, the tours of the Taj Mahal and the several palaces of Jaipur and Delhi were engaging. I think of all the sights I saw across north India, my favorite is the Akshardham temple. Ye s, yes, the Taj was great, but I really have never seen anything as beautiful in structure than this temple. Too bad no photography was allowed. Here are my favorites from the north:

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The Taj reflects a rusty orange from the rising sun.

 

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At sunrise, the entrance of Taj reflects clearly in pools.

 

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A snake charmer lures a gold-eyed King Cobra.

 

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One of the many rhesus macaques that surround the Taj Mahal.

 

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A boy by the road between Delhi and Agra charms passerbys with a snake.

Check out the rest of my India images in the Asia gallery.

Oh and as always, let me know if you’re interested in a high-quality print :).

Until next time!

Preview: Images of India

I went on a vacation with my family to India this past April. I came away with a few keepers, which I will share soon. While I finish those up, I wanted to leave you with one preview:

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At sunrise, the sun tints the Taj Mahal a slight orange against the mausoleum’s reflection.

Stay tuned!

Olympic National Park, Part 3

This post picks up from the last part of my three part series on my photography expedition to Olympic National Park, Washington. Check out the first and second part if you haven’t already.

At this point in my trip, I concentrated my sunrise and sunset shots at Second Beach, a sea stack and tide pool rich shore near Forks, Washington. During the daytime, I spent time touring the interior of the park, and visiting areas that were accessible during the winter month of March. While some spectacular vistas like Hurricane Ridge were closed, there were other alpine areas that were accessible by road that I was to visit. Over this last post, you’ll see images from both the coast at Second Beach and within some of the interior areas.

This first shot is one of the many amazing tide pools that are revealed during low tides. This particular tide pool was reflecting the image of a large rock and two vibrantly colored starfish. The tide pool also reflected a brilliant blue sky, with a few nicely placed white clouds, and the trees of a nearby towering sea stack:

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As the sun continued to rise, clouds continued to separate and give way to the sky. This next shot shows that sky, which again was reflected in a nearby tide pool. This is one of my favorite shots from the trip, because of the contrasting angles between the sky and the sea stack on the right, the balance in subjects throughout the frame, and the lines that lead out through the bottom left hand corner:

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To this point in the beach shots at Shi Shi and Second Beach, you’ve probably noticed how violent the water is. As I looked back to the south end of the beach, I noticed that the crashing waves created a mist that was rising back into the air. That mist was nicely contained in an opening between the coast and sea stack and in front of a wooded hill. The leaning tree from the coast adds a bit more interest to the scene:

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As the sun started to take hold of the day, I started looking for varied subjects other than the tide pools and sea stacks. As I looked closer into the sand, I noticed fine textures that seemed to follow no clear pattern. Winding in loops and circles, these textures were the trails of wandering sea snails. This shot was taken with a macro lens and the original (not web version you see here) has some extreme detail down to individual grains of sand:

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There were other interesting items on the beach, including several small rocks that carved out paths for water to dig through the sand as it receded to the sea. The angle of the carvings in the sand contrasted with the angle of the clouds in the sky brings some interest. Also, notice the snail trails from the previous image that cover nearly the entire beach:

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After I took those last shots, I decided to tour the nearby areas of the park by car. On the way out from Second Beach, though, I saw a sight that was too familiar to me during my time at Olympic National Park:

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Yes, that’s a chopped down tree. While I like the image, with the brilliant red-colored tree and its spilled guts framed by varied greenery in the foreground and the bokeh background, the real-life ramification is sobering. I was actually quite shocked at how many cleared forests populated the “Olympic Wilderness” as it is called. At first, I didn’t quite know what I was looking at, until I saw lumber truck after lumber truck and noticed several lumber mills. While I was out camping, I confirmed the sad state of things with a few of the locals, who recognized the forest-chopping almost with shame.

Here’s another image that put it all in perspective for me. This is a cleared forest near a road sign pointing to the Hoh, Forks and inland. In the near distance, you can see one of the culprits: a yellow bulldozer near a series of sanijohns. Then in the foreground and on far in the distance, you can see stump after stump of the remains of trees:

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This sight is repeated over and over during the drives in Olympic National Park… a sad thing to report back to you. Until I stop buying myself wood tables, I’ll count myself as one person to blame for the state of things.

While there were vast areas of cleared trees, there also were more areas of still thriving forestry. This next one is of an alpine forest. This was beautiful to me for several reasons. The sun broke out through the clouds to illuminate a set of trees on the bottom part of the image, and illuminate the couple of trees near the top of the mountain. That couple of trees was made more prominent by a mist that whispered behind it. It was quite a serene moment:

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As I traveled deeper into the park and up its mountains, I saw a different scene, but one that continued with the alpine forest. Much of the park was still under snowfall during the time I visited. In this shot, you can see how the weather changes as altitude declines. As your eye climbs up the mountain, you will notice layers and that snow slowly increases where the sunlight begins to shine, and has fully covered the trees and ground on the peak. If you look closely, you can also see exposed rock and boulders at the summit of the mountain. I framed the image on the left and bottom with other low-altitude trees:

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While I didn’t have access to many of the lakes during the trip, I did get this one shot that was beautiful to me. It highlights the difference in color and texture of the trees of Olympic National Park, with the reds in the foreground, the greens bearing over them, and the blueish green of the forest in the distance. This scene is reflected in the water, and is framed by the gray sky and the ripples in the water:

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My time wandering the roads of Olympic National Park was coming to a close. Before I made it back to my hotel to prepare for one last morning on Second Beach, I noticed again the variations between trees, especially as they peered over the winding pavement:

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The next few pictures are the last of my trip. This sunrise, I hoped to get a few more compelling shots of Second Beach before I headed to the airport. God had to comply, though, and provide some intrigue by way of weather. She did not disappoint.

As the sun rose, the radiance of light began to highlight menacing clouds that were forming over the coast. The clouds seemed to be gathering quickly into rain, so I knew I had to work quickly before all of the vibrant light diminished. Using the long, flat coastline of Second Beach, the water left a thin film of moisture to create a perfect mirror of the intense sky. As the sun pushed forward, it also illuminated in orange a shower out at sea:

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Of course, up to this time in my tenure at Shi Shi and Second Beaches, I had been employing long exposure techniques to paint movement of the dynamic tides. This last morning, I continued a bit of that but varied it with some fast shutter images as well. This next shot is similar to the last, but trades the reflection of the sky for a misty sweep of water from a wave:

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After those shots, I decided to hone in on the intricacies of Second Beach as I had for Shi Shi Beach. As the storm that was brewing in the distance finally arrived over my head, rain droplets led to a faster exposure opportunity. In this next shot, I framed the varied textures of Second Beach to show layers leading up to the land, with raindrops falling into a tide pool, to the ridges of sand against water, to the rocks leading up to the sea stacks. This was another one of my favorite images from the trip:

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Framing the subject a bit higher on the horizon, this next shot shows the gathering of several rocks leading up to the sea stacks at the shore of Second Beach. It also reminds of the violent nature of the tides, as splashes from a crashing wave fly over rocks in the distance:

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As the rain dissipated a bit, I decided to capture my last two shots at longer exposure with an ND filter. In this first one, I was drawn to the vibrant color that arrived in the clouds and the green vat of still water at the base of the sea stack. Also, I was drawn to the partially hidden orange starfish and framing of the sea stacks in the distance:

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In this last image, I used the ND filter to bring a bit more of the pink color of the sunrise and passing storm to the image. The long exposure settled the movement of water against the rocks so that it almost looks like a serene lake surrounding these giant sea stacks:

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That marks the end of my images from Olympic National Park! I hope you enjoyed looking through the photos. Remember, most of these images are available for sale in the highest quality, professional grade prints. Look for a Facebook contest within the next couple days where you may just WIN one..!

I love hearing your comments, so please keep them coming. Thanks!

Olympic National Park, Part 2

So… hopefully you’ve had a chance to look at the first part of this blog series about my photography expedition to Olympic National Park. If not, please visit the link so you can catch up on the story. 🙂

So given that I had gotten some pretty good shots of the sunset and night of the day before and the sunrise of the morning, I decided to head to the Hoh rainforest. Normally, I would reserve shooting at scenic locations for sunrise and sunset, when the sky acts like a huge softbox and doesn’t create hard to manage, dynamically lit scenes. However, the Hoh is a pretty dense forest that blocks out much of the harsh rays. Plus, the weather had called for some rain mists which would really help to control light and create a feeling of depth.

Getting to the Hoh is rather easy, but is time consuming. I wanted to get to the rainforest, shoot for an hour or so, then make the journey back to catch the sunset at Shi Shi (a sunset in the Hoh would not be nearly as photogenic given how little you can see the sky from there). Given that I had so many nights at Olympic National Park, I wanted to give the weather enough opportunities to create something special on the coasts — which were were I planned to take most of the photos on this trip.

So, I left my camping gear back at Shi Shi, and trekked back through the mud for about an hour and a half, our to the place I parked. Then, I was off on the 2 hour drive down to the rainforest.

The other photographer warned me of the difficulty of shooting the Hoh, but I had to experience it for myself to see what he was talking about. The forest has no order to it, which is beautiful in its own regard. However, it also makes composing a shot especially difficult. As a photographer, you look for patterns, leading lines, angles, and contrasts. But when everything seems to be growing from everywhere, it really throws you a loop!

The mist I hoped for never arrived, but the light was soft enough for some shooting. After a little time, I did find some interesting angles and frames that make an image. Here is the first, which shows a ray of sun bursting through a clearing in the forest, and leading to the ferns on the floor:

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I continued walking around and exploring the rainforest. It was really quite a peaceful and cathartic experience; maybe some of that has to do with the fresh and fragrant air that the rainforest provides. When I inspected the moss, which is omnipresent in the rainforest, I saw a single drop of water that stayed suspended in on the moss tip. Because of the absorbent texture of the moss, the drop was held completely still, save for its bottom spinning in a circle from gravity:

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As I walked further, I saw a small path in the ground. The path led through a line of mossy trees and gave a bit of organization to a section of the forest:

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Then, I started inspecting the grounds where moss and other shrubs were slowly building over trees. This next one was interesting to me as is contrasted a shrub (with a point on its leaves that resembles a worm) common to the rainforest with a piece of fallen wood:

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After I took that shot, it was already time to head back to Shi Shi for the sunset. So, I made the long drive back, hiked through the mud and marshes for another couple hours and ran back to Shi Shi to see what colors were in store for me.

It turned out to be another bluish/gray type of evening. While I didn’t have explosions of vibrant light like the morning, I was captivated by the somber hues.

This first shot shows more interesting shapes from the Shi Shi coast (including another angle of the hole through the sea stack I shot here), and offers a glimpse of Point of the Arches way in the distance. I used a long exposure to mist the waters against the other rocks:

[fancy_images height=”300″ width=”900″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/point-of-arches-from-shi-shi/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/point_of_arches_from_shi_shi.jpg[/fancy_images]

 

I took that shot from the left side of the “King” sea stack that dominates the Shi Shi scene. I then I decided to scale all of rocks from the side I was on and get on the other side of the beach. This wasn’t easy, but was pretty exciting. Over the course of days when I was shooting this beach, I had been scaling rocks, walking over beds of mussels (for traction), jumping over large and small tide pools, dodging (or getting smacked by) waves — all to position myself for a good composition. When I scaled the left side of the beach to the right side of it, it included doing all of those things I described, but to a larger scale. I had to literally scale up a mountain to get over a wide swath of seawater, then jump down to a mussel covered rock to get into the right position. I felt pretty comfortable shooting from where I was, except that I had to remember that the tide was slowly rising and soon I may not have a path back to shore.

All that adventure was for this next shot. It shows the King from different angles than I have shown so far — and he again looks very different (and especially foreboding). I used a relatively slow shutter speed of a half second to show the water crashing up against and swirling around the rocks. In the distance, I placed the setting super full moon in a “V” shape of the rocks near the King. The size of the moon should give you an idea of how grand the King looked from this angle:

[fancy_images height=”1000″ width=”800″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/super-full-moon-from-shi-shi-beach/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_moonset_sunrise.jpg[/fancy_images]

 

After that shot, I decided to call it a night and rise in the morning for one last try at Shi Shi. Cloud cover came over the park at night so photography was less of an option.

The next morning, I shifted compositions to try to catch something new. I’ve mentioned a few times about the low tide providing access to the shore at Shi Shi beach and its sea stacks. But low tides also give a glimpse into tide pools and the array of life in them. This next shot shows a view into the busy worlds beneath and above the water. I particularly like how the green sea anemones form a inverse column from the King sea stack. I used the pinks and greens of the kelp and sea bush to frame the anemones, and the cloud passing in the distance to frame the sea stack. This is another one of my favorites from the trip:

[fancy_images height=”900″ width=”600″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/two-worlds/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_tide_pool_sea_anemones.jpg[/fancy_images]

 

Here’s a close up of a sea anemone, with shadows cast on it from the sun through sea grass.

[fancy_images height=”600″ width=”900″ alt=”” title=””]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_sea_anemones.jpg[/fancy_images]

 

My last shot at Shi Shi Beach was taken when I shifted my attention away from the compelling sea stacks and towards the land and forest. In a previous shot far away from the north end of the beach, I noticed a dramatic cliff far in the distance. Up close, this cliff is much more fantastic, with its trees starkly contrasted with the  mountains in the distance. The cloud passing by add a bit of balance and framing of the image:

[fancy_images height=”600″ width=”900″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/all-or-nothing/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_cliff_mountains.jpg[/fancy_images]

 

After I was done shooting… I bid Shi Shi goodbye and hiked back through the trail back to my car. My next destination was Second Beach, another venue on the coast with differing sea stacks and tide pools. That area was near the town of Forks, famous for its Twilight series of vampire movies. In case you ever forgot that, just visit Forks and you’ll be reminded :).

On the way there, I passed over several bridges and small rivers. This next scene was particularly interesting to me, as a rainforest tree seemed to dip into the emerald-colored mountain water:

[fancy_images height=”600″ width=”900″ alt=”” title=””]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/hoh_rainforest_river.jpg[/fancy_images]

 

It took me a while to get out of Shi Shi and over to Forks. I had hoped to catch the sunset at Second Beach, but time was running out. I decided to head straight to my motel. Then, right as I was checking in, I looked outside and saw an incredible magenta and orange sunset! You can imagine how mad I was that I was not on the beach for this:

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I grit my teeth and decided that it was OK… I had many more chances to get conditions like that sunset and was going to start early in the morning.

When I got into my motel room, I finally stopped to look at myself. After 3 days and 2 nights of trekking in the mud, running on the beach, ducking past the waves, and scaling up mountains, I was DIRTY and WORN. The best part was my shoes and gaiters, which were caked in mud:

[fancy_images height=”600″ width=”900″ alt=”” title=””]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/Olympic National Park 392.jpg[/fancy_images]

 

The next morning, I headed straight for Second Beach. The hike to the beach was about 10 minutes, but that seemed like a cakewalk after my days at Shi Shi. The real challenge to getting to the beach is the heap of logs that you have to scale to get to the sand. These are trees, that over the course of time, died, fell into the water, and were washed ashore by the powerful ocean. It’s quite amazing to think about.

Once I got onto the sand, I immediately realized why photographers love that beach. During low tide, the sand usually under the water is transformed into a large, flat field. Water frequently scales far inland from the waves and slowly sweeps back into the sea. When after the water sweeps back into the ocean, the wetness creates a sheen cover on the sand that reflects the sky. These phenomena provide great opportunities for dramatic shots.

In this first shot, I captured the sweep of the water back into the sea. Pockets of foam created a “grate” shape that I find intriguing:

[fancy_images height=”600″ width=”900″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/streaking-water-at-second-beach/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/second_beach_beach_wave.jpg[/fancy_images]

 

This next one is a view of another sea stack, with the water receding back into the ocean. However, the water moved more calmly and produced less foam, allowing it to reflect the sea stack on the sand. The the curve of the water on the beach and from the wave in the distance give the image a bit more intrigue:

[fancy_images height=”640″ width=”800″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/sweeping-into-the-sea/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/second_beach_beach_wave_reflection.jpg[/fancy_images]

 

After I got some images of the vista, I walked closer to the water and noticed a single rock getting slammed every few moments by the waves. During smaller waves, water simply rushed around the rock. As I got closer to the rock, I noticed a family of star fish gathered closely. I set my tripod up to shoot a long exposure of this scene, but kept getting blurred images. That was not only because the waves were crashing against the tripod, but that the sand that it stood on was sinking from my weight. Though it took quite a while and several instances of me running from the water with a camera & tripod in a vice grip, but I finally got this image of the water misting up to the family of starfish:

[fancy_images height=”600″ width=”900″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/starfish-family-at-second-beach/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/second_beach_starfish_ocean_mist.jpg[/fancy_images]

 

A bit more exploring up on the shore led me to more starfish families and my last image on this second of three blog posts on Olympic National Park. I was really intrigued by the intricate texture and pattern of the starfish. I was so fascinated that I kind of petted one — which felt like bumpy leather :). I took this shot to bring attention to the pattern and texture of the starfish, and their variance in color. This is a macro of four starfish grouped together; if you look closely you can see grains of sand in the ridges of the starfish that are laced with water (which is blue, reflecting the color of the sky):

[fancy_images height=”600″ width=”900″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/second-beach-starfish-macro/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/second_beach_starfish_macro.jpg[/fancy_images]

 

I hope you enjoyed part 2 on this series on Olympic National Park. Remember, if you haven’t read the first entry, please check it out here. I’ll be wrapping up this series with the third and final post within the next few days.

Thanks for looking!

Olympic National Park, Part 1

[note: some images have been removed from my site since I first posted in 2011; I have kept some preferred images and others]

This past March, I went on a photography expedition at Olympic National Park, which is on the Northwest coast of the United States, about 140 miles (or about 3 and a half hours) from Seattle, Washington and surrounding the Twilight movie town of Forks.  I spent four nights camping and touring the park, and photographed scenes on the rugged coastlines of Shi Shi and Second beaches and Point of the Arches. I also captured some shots of the Hoh rainforests and of alpine forests. I used various photography techniques including timed exposures and bracketing and used modifiers such as lens filters and extenders to record these images. Over this and two more blog posts, I’ll guide you through my time at the park, and some of the moments I photographed.

[fancy_images height=”472″ width=”662″ alt=”” title=”” link=””]http://navinsarmaphotography.com/wp-content/uploads/Olympic-National-Park-map.jpg[/fancy_images]

Please visit the NPS website for a more detailed map.

I flew into Seattle on a Thursday night, and first thing in the morning, I was off to Port Angeles to meet a photographer who accompanied me for portions of the trip. We continued on to Neah Bay to get to Shi Shi Beach, a beautiful coastline set with towering sea stacks and, at that particular time of the month, very low tides. I spent most of my time on the trip at this beach, waiting for the right conditions to get best possible shot.

Getting to Shi Shi Beach is no easy feat. The beach itself is on the Makah Native American reservation, which requires a permit to enter, and the nearest place to park is about 3 miles hike from the beach itself (and actually in someone’s back yard). The trail to the beach starts with wooden bridges for about a mile that wind above a greenish swamp, then a flat two miles on towards the beach. The path is in the middle of the Olympic’s temperate rainforest (one of only four in the world; the others being in southern Chile, western British Columbia and New Zealand), which means that once off of the wooden planks, the way is incredibly wet and muddy. I brought gaiters and waterproof hiking books to guard myself from the mud I knew I would step through, but nothing would prepare me for what actually happened.

Every few hundred yards of the muddy path, the trail would transform into a flooded marsh. Every now and again, I’d see someone trying to tip toe from rock to wood to try to avoid the inevitable: sloshing knee deep in mud. While at first this was uncomfortable, I quickly warmed up to the adventure and pushed ahead.

In retrospect, I wish I had taken some shots of my experience with the path on my ways in and out of Shi Shi — not only to include the mud marshes but the skunk cabbage, which were a pleasing yellow contrast, in dark brown pools surrounded by green foliage. However, I was always in such a hurry to catch the light on the beach that my camera was firmly holstered in my pack. So that leaves you 800 words in with 0 shots :).

I finally reached the beach near the evening. I set down my stuff in the woods near the beginning of the trailhead and head straight to the coast.

As I neared the section of the beach where the sea stacks were, I finally started snapping some shots of the impressive landscape. Here’s the first, which shows a reflection of the steep hill that separates the area of the beach where I camped with the more interesting northern area of Shi Shi:

[fancy_images height=”640″ width=”800″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/shi-shi-beach-reflection”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_sunlight.jpg[/fancy_images]

As I climbed atop that hill to and faced the north end of the beach, I got a slightly closer view of the sea stacks in the distance, contrasted with the grassy perch and its coupled set of trees:

[fancy_images height=”800″ width=”533″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/shi-shi-beach-tree/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_tree.jpg[/fancy_images]

 

As I mentioned, I timed my trip so that it coincided with very low tides. Why did I do this? Well, much of the Western Olympic Coast is only accessible during low tide. During other times, the water rises high enough to almost completely rule out exploration. Also, low tides reveal pools along the coast that are filled with life: kelp, sea anemones, and starfish among others. Here’s my first shot of the life in the tide pools. This was taken near sunset (but against the sun, such that it blew out the detail in the shot). If you look closely you can see the evidence of the rainfall that would soon drown out the sunset and its color:

[fancy_images height=”800″ width=”533″ alt=”” title=””]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_sea_anemone_starfish_sun.jpg[/fancy_images]

 

That’s probably the third time you’ve noticed the large sea stack that dominates Shi Shi Beach. This thing is an absolute gorgeous geologic structure. What’s especially unique about it (and beneficial from a photographic standpoint) is how different it looks from varying angles. You’d barely know you’re looking at the same structure if you saw it from one side or the other. Needless to say, this sea stack was the star subject for me in my time at Shi Shi… so much so that I named it the “King” of the beach (corny I know but YOU HAVE TO SEE IT!).

As the sun set and the rain set in, the beach lost a lot of its color. In fact, many times I found the western coast of Olympic National Park lacking in color and contrast, except for in lucky moments when the light complied. To catch that colorful and intriguing light was the reason I returned to Shi Shi so many times at sunrise and sunset.

Though the color faded, the subjects themselves remained spectacular and I was still able to get some pretty cool shots. In this next one, I silhouetted the sea stack in the foreground to bring emphasis to the group of sea stacks in the distance, at Point of the Arches. I used a long exposure (as I did for several of my coastal shots) to mist the water:

[fancy_images height=”600″ width=”900″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/point-of-arches-rock”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/point_of_arches_rock.jpg[/fancy_images]

 

In this next one, I zeroed in on some of the low lying western facing rocks. To me, the scene is like a miniature mountain range in the sea. This bluish color is the one that dominated the scene as the clouds covered the sun:

[fancy_images height=”265″ width=”800″ alt=”” title=””]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_rocks.jpg[/fancy_images]

 

After the light faded, I made my way back to camp. I also timed my trip around the time of the month when the moon was fullest. This made for some interesting night shot opportunities.

The first of these night shots was a zoom in of the family of sea stacks at Shi Shi Beach. The scene immediately struck me as eerily beautiful. It seems to me like an otherworldly cityscape made of wind, water, and rock — rising high above the fog and mist below. Note that this shot was taken around 9:30pm and its just the moon that is illuminating it so much. Note also the window through the sea stack on the right:

[fancy_images height=”465″ width=”800″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/shi-shi-beach-night/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_night.jpg[/fancy_images]

 

I then shot another from a slightly wider angle. Showing the trees on the ridge and the water on the beach, this shot brings a bit more earthly sense than the last. Note the layers that the mist creates in the rocks and cliffs on the right:

[fancy_images height=”600″ width=”900″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/shi-shi-beach-forest-night/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_forest_night.jpg[/fancy_images]

 

As I turned my attention back south, I noticed that the clouds that had dominated the scene since sunset were clearing towards the stars. While the mist of the coast blocked much of the starlight near the horizon, I was able to catch these stars that shone high above the Point of the Arches:

[fancy_images height=”800″ width=”640″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/point-of-arches-stars-night/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/point_of_arches_stars_night.jpg[/fancy_images]

 

I then tried to get a closer look at Point of the Arches from Shi Shi Beach. This next shot reminded me again of an alien type of skyline or city — but with a bit more earthly elements given the trees that grew from the sea stacks in the distance. I really like how each segment of the line of sea stacks has its own character and adds to the depth of the shot:

[fancy_images height=”265″ width=”800″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/point-of-the-arches-night/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/point_of_arches_night.jpg[/fancy_images]

 

By the time I finally made it back to camp, it was past 12am. That normally wouldn’t be a problem — but when you’re setting your sleep schedule to sunrise times, it does turn out to be quite late. Now as I mentioned, I had never really camped much before. One thing I can say after this trip is BUNDLE UP. Because all evening I had the ocean slapping up against me, the rain pouring over me, and the humidity of the rainforest sticking to my body, I never dried up at all my first night. Combine that dampness with 30 degree winter temperatures at night, and it equaled me shivering my butt off in my tent. It was quite an experience. Because I do this so infrequently, I had to get a shot of my campsite — with my large tent in the foreground and the other photographer’s in the back. I shot this in nearly complete darkness except for the faint hints of moonlight:

[fancy_images height=”600″ width=”900″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/point-of-arches-rock”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/Olympic National Park 309 copy.jpg[/fancy_images]

 

The next morning, I rose for the sunrise and headed straight back to the north end of Shi Shi Beach, hoping this time for a bit more color. And… my hopes were answered!

I had spent much of the last evening scouting my shooting location. I had a pretty specific shot in mind, until the sunrise colors finally made their way to the beach.

As I was watching the sea stacks, waiting for the sun to rise above the horizon and light the western rocks, beautiful pastel hues of pink and green swept in from behind. The most beautiful and colorful light fell slightly short of the King and surrounding sea stacks and I HAD to shift my camera to catch its beauty. Unfortunately, the area where this light shone only had some complementary geologic formations. In this shot, the pink from the sky mixed with the green colors within the water and blended rather smoothly:

[fancy_images height=”600″ width=”900″ alt=”” title=””]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_sunrise.jpg[/fancy_images]

 

After I got a few shots where the light was best, I shifted my attention back to the King and my initial composition. Elements of the colorful light shone one the scene and really gave it some character. In this next shot, note the green from the water in the left of the shot, and the pink in the clouds that was reflected on the right side of the water. A clearing in the clouds lent a little blue as well. I used a 1/8 second shutter speed to emphasize the violent motion of the waves crashing in:

[fancy_images height=”600″ width=”900″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/shi-shi-beach-wave/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_wave.jpg[/fancy_images]

 

Coasts give a great opportunity to shoot at long exposures — some of which I’ve already shown. Water (especially) and clouds can be “painted” with light to create surreal images. In this next shot (which is pretty much the same composition as the last), I used a 10-stop neutral density filter, to allow me to capture a very long exposure without overexposing it. The neutral density filter also did a great job of pulling the pink elements of the sunrise forward. This one is one of my favorite images from my trip:

[fancy_images height=”600″ width=”900″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/shi-shi-beach-pink/”]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_pink.jpg[/fancy_images]

 

Like I mentioned, low tides exposed shallow tide pools where life thrives. Stay tuned to the next part of this blog series for much more on that. Here, though is a different take on some of those scenes. In this shot, I made the King and the background sky black and white, while leaving the starfish in color. Just an experimentation that I think turned out relatively well:

[fancy_images height=”900″ width=”600″ alt=”” title=””]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_starfish.jpg[/fancy_images]

 

The last shot in this multi-part blog series is another long exposure with a neutral density filter. After I took the above images, I scaled the exposed rocks on the beach, looking for a new venue to shoot from. When I saw water creeping from one tide pool to the next, slowly bubbling and swirling, I knew exactly what I wanted to shoot. What I got, besides an angle where the King looked different — ended up looking like a satellite view of a hurricane:

[fancy_images height=”600″ width=”900″ alt=”” title=”” link=”http://navinsarmaphotography.com/portfolio/shishi-beach-tide-whirlpool/” ]http://navinsarmaphotography.com/wp-content/gallery/places/northamerica/pacnw/shi_shi_beach_water_hurricane.jpg[/fancy_images]

 

So, that’s what I’ve got for round 1 of the blog posts from my trip to Olympic National Park. Stay tuned for the next in the series!!

Washington DC Indigo Night Sky Print

A month or so ago, I was contacted by the owner of a Charlottesville, VA-based company, Indigo Night.

This company creates prints that illustrate the night sky as it actually looks at a given time and place. Add to that a personalized message and a quality frame, and you have a pretty special piece of art on the wall.

To clearly illustrate the place from which the sky is seen on an Indigo Night print, the company uses high resolution images of that locale’s horizon. Locales can include both generic venues (like a desert) and cities.

It just so happened that the owner of this company had been searching far and wide for a unique image of the Washington, D.C. skyline and its monuments. For a some years, he had little luck . Through a Google images search, he stumbled upon my site and found the view he was looking for.

A few weeks later, and Indigo Night has transformed one of my images into a horizon for their Washington, D.C. night sky! You can check it out here (where you will have to select “Places from Q-Z” under the “Horizon” drop down and then choose “Washington DC”). You might see a resemblance to one of my images:

[fancy_images height=”600″ width=”900″ alt=”” title=””]http://navinsarmaphotography.com/wp-content/gallery/places/dc/Washington_DC_Skyline_Lightning.jpg[/fancy_images]

Thanks to Indigo Night for licensing my image! Good luck to them in their very creative business.

Published in DC Magazine

I recently had a few of my shots of Eden DC published in the May/June edition of DC Magazine. The exposure is pretty exciting for me so I thought I’d share it here as well. I’m looking forward to picking up a couple print editions too!

Scroll to page 64 of the digital mag, here.

Thanks to the guys at Eden for the opportunity. Looking forward to what’s next!

Photography 101: Aperture, Shutter Speed, and ISO

Recently, I was chatting with a friend who is new to photography with an SLR. After shooting an event for the first time, she came away underwhelmed with the images she captured.

We then got into some of the details of why the shots didn’t appear as she had wanted. When she mentioned how frustrated she was at choosing the manual settings (aperture, shutter speed, and ISO), I thought back to my own frustrations when I first started. I, like she, had heard these buzz words but hadn’t quite made the connection of how they would affect my images.

So, I thought I would dedicate this post to give a how-to and introduction, with examples, to the basics of digitial photography with an SLR: aperture, shutter speed, and ISO. Granted, there is a ton of literature out on the internet, but this may help you or anyone you know who’s interested in taking the next step in photography. These are just the very basics, though — there are many more nuances to shooting that I can get into in later posts.

One thing to keep in mind: photography literally means recording of light. Everything you do is related to that. There are elements within your camera and lenses that play the light differently: aperture, shutter speed, and ISO. Each has its own advantages and disadvantages. That said, there is no one combination of the three that will produce the best image; you will adjust each of the three according to the light conditions and your creative vision.

1) Aperture

We can start with probably the most complex of the three elements I’ll cover: Aperture. Aperture is the size of the hole of light opened or closed by the lens. Adjusting the aperture either darkens or brightens the image (as you are changing the amount of light that shines on the camera’s sensor at a given moment), and increases or decreases depth of field.

Part of this discussion on aperture requires a bit of knowledge on depth of field. In a nutshell, you can think of depth of field in planes that are perpendicular to your line of vision through the lens. The more space covered within that plane, the more subjects nearer and further from you will be in focus. Decreasing depth of field reduces the depth of the perpendicular plane that starts at your point of focus, just as increasing the depth of field increases that perpendicular plane.

When would you want to increase or decrease the aperture? Generally, you would adjust your aperture to achieve a certain depth of field effect. Let’s say you only want a small plane within the scene in focus, and the rest blurred out (and achieve an effect known as bokeh). You would increase your aperture, by (confusingly) lowering your aperture number (from f/11 to f/2.8, for example). Here’s an example of an image with a large or wide aperture. Using f/2.8 at 100mm, only the snow-capped post is in focus; the lights in the background blurred out:

What if you DIDN’T want any of the planes within scene out of focus, say if you were shooting a beach scene or other landscape. You probably guessed it, instead of widening the aperture, you would “stop it down” to a smaller aperture setting. This would mean increasing your aperture number from say f/2.8 to f/11. Here’s an example of an image with a smaller aperture. Using f/22 at 17mm, the rock (close in the foreground), the kids (somewhere in the middle of the plane), and the clouds (in the back of the plane – “infinity”) are all in focus:

There are other considerations to note when choosing your aperture.

  • Focal length – As you may have noticed, I included my focal length in the descriptions of the shallow and deep depth of field shots. Shorter focal lengths will generally provide you a deeper depth of field than longer focal lengths (meaning more of your shot can be in focus). This is especially true as the subject is closer to the camera. So, it’s no surprise that landscape photographers often like to shoot in wide angles — coupled with the fact that they also probably want to capture a grander vista.
  • Amount of available light – The amount of light available also dictates what your aperture setting may be. You may prefer to shoot a sunset at f/11, but given that there’s so much light still available, you might have to stop down to a lower aperture so that light doesn’t wash away details in your shot.
  • Diffraction – you may want to stop down to the lowest aperture, say f/32, to get the maximum depth of field for your image. However, there is a point in which too small an aperture has an adverse effect on sharpness. The aperture value that provides the greatest depth of field and the lowest diffraction differs for each lens – unfortunately there is no ‘one size fits all’

2) Shutter Speed

Shutter speed is a relatively simple concept. It is the amount of time the camera’s shutter is open, therefore shining light on the camera’s sensor and recording an image.

Why would you want to increase or decrease your shutter speed? Generally, you’d want to adjust this value to “freeze” or “paint” motion within your picture. If you wanted to capture a single droplet of water splashing up from the ocean, or a bird zooming by a mountain, or another fast moving subject dashing across your frame, you would want to use a fast shutter speed that spans only a fraction of a second. Here’s an example of where I used a fast shutter speed, capturing birds flying by the St. Francis Cathedral in Lima, Peru a shutter speed of 1/1000th of a second:

The opposite of freezing motion is to paint or blur it. When you use a slower shutter speed, the camera records movement as it happens across the frame. You can think of it like the many frames that make up a movie — except that instead of a moving image that shows each frame exclusively and in succession, a still image stacks each frame on top of the last. You are, in essence, viewing all the frames of the movie in a single picture.

Why would you ever want to record an image this way? Simple…for artistic effect. A long exposure can streak clouds across the sky, soften reflections in water, and paint people or other living beings. Here’s an example of a shot I took at around 9pm in Georgetown, Washington, DC. I used a shutter speed of 10 seconds (which, for a long exposure, is relatively short) to show cars whizzing by and people walking down the sidewalks:

There some things to note when choosing your shutter speed.

  • Stability of your camera – If you are shooting a fast moving object and are choosing a fast shutter speed, you likely can “hand hold” the shot by simply pointing and shooting like you probably already do. However, if you are trying to paint the light and your subject and want to use a longer exposure, you will need to stabilize your camera using a tripod (or something similar) to avoid unintended camera shake and blur.The general rule of determining whether or not you can hand hold your shot is if you are using an X mm lens, you should use a shutter speed of at least 1/X seconds to avoid unintended camera shake and blur. Therefore, if you are using a 100mm lens for example, you should use a shutter speed of 1/100th of a second or faster. If you want to shoot at a slower speed than the rule allows, you should set it upon a ledge or attach your camera to a tripod or monopod. That way, the only thing that’s moving is your subject, and you only get the blur you want.
  • Amount of available light – As I mentioned, adjusting the shutter speed adjusted the amount of light that shines on the sensor; as you lower the speed and increase the exposure, more light is let in and leads to a brighter picture.  The opposite goes for when you increase the speed and decrease the exposure – you achieve a darker image. You may want to increase or decrease your shutter speed to achieve an effect, but the light available might not be suitable.For example, you may want to paint the motion of the water flowing from a waterfall, but there may be too much light to capture the image without overbrightening (“blowing out”) the details. That is when lens filters, such as polarizers, neutral density filters, or graduated filters (the last of which are becoming less relevant with increased use of exposure blending and HDR) come in handy.Similarly, you may want to freeze the motion of a subject by using a faster shutter speed, but there may not be enough light available to see the image properly. To compensate for this, you may adjust your aperture (by “opening up” from f/10 to f/2.8, for example) — so long as you are okay with changes to the image’s depth of field. If you don’t want to change the image’s depth of field or adjustments to the aperture are not sufficient to make your image bright enough, you could change the last value I will introduce in this post, the ISO.

3) ISO

ISO is probably the simplest of the three elements to consider of the three elements of photography. ISO is the value of the camera sensor’s sensitivity to light. A lower ISO reduces the sensor’s sensitivity to light and produces a smoother image, while a higher ISO increases the sensor’s sensitivity to light and produces a grainier image.

Why would you want to increase or decrease your ISO setting? It depends solely on the amount of available light. In all cases, you want to choose the lowest ISO setting as possible. This will ensure that your image is free of grain and as sharp as possible. If your desired aperture and shutter speed settings, coupled with your lowest ISO, do not produce a bright enough image with enough detail, you tick up your ISO as appropriate. At some point, too high of an ISO setting will produce more grain than is acceptable; that threshold is dictated by your camera body (and its image sensor size) and not your lenses.

Of course, there are other things to keep in mind when choosing your ISO.

  • Stability of your camera – sometimes you may feel like bringing and/or using your tripod and sometimes you may not. Often times, though, you can eliminate the need for increasing your ISO by stabilizing your camera on a ledge, tripod, or monopod. That will allow you to increase your shutter speed to allow more light to hit the sensor, and will allow you to decrease the light sensitivity value via your ISO setting. However, if you plan on shooting a fast moving subject, making the shutter speed slower will not be an option, and aperture or ISO will be your only remaining choices.
  • Tones of your image – generally, brighter tones (e.g., whites) don’t suffer as much from the grain of a high ISO setting as darker tones (e.g., black). If you plan on shooting a relatively bright image, you can be more liberal with any ISO increase.

Here’s an example of an image I had to take at a high ISO. This picture is a “macro” (meaning close up) of a very small flower (about the size of a dime) in slightly larger petals. In order to freeze the motion of this incredibly small flower which was flapping all over the frame from the wind, AND get enough depth of field to have it acceptably in focus, I had to choose a shutter speed of 1/800th of a second and a depth of field of f/6.3. Any slower of a shutter speed and the flower would have unintended motion blur; any wider of an aperture and the flower would not be acceptably in focus. Actually, the depth of field was so tricky on this subject that I had to “focus stack”, meaning take several pictures at different focuses and blend them, to get this image truly acceptably in focus. The only option I had to pull in enough light to make the image bright enough, given my strict parameters for shutter speed and depth of field, was to increase my ISO to 4000. This ended up working out great, though you can see some grain in the darker parts of the image:

Well, there you have it. I hope you feel like this was an informative post that helps to clarify some of the mysteries when starting out in photography. As you have probably noticed, the moral of the story is there is no one “golden” setting to always use when taking pictures. You have to balance your creative juices with available lighting conditions. There is obviously much more to this story, including planning for the best light, using sources of artificial light, and using processing techniques. The rabbit hole of things to learn about photography winds far down a path, but I guess that’s why photography has gripped the attention of so many people across the world. Now, perhaps you can understand why many people argue that quality photography is not all in money spent on lenses and cameras.

Please comment if you have any questions or thought this post was helpful.

Till next time…

Coming Soon: Shots from Olympic National Park

I recently returned from a trip to Washington State, where I photographed the Pacific Northwestern Coast. As I sift through and process the images, I thought I’d give just a teaser of what’s to come.

This shot was from Forks, Washington. Those of you who are familiar with the Twilight series are aware that Forks is where much of the story is set. Towards the end of my trip, I spent a couple of nights in this cozy town (which had plenty of stores and promotions dedicated to the Vampire novels and movies). On this particular evening, I didn’t have time to make it to the coast in time to shoot the sunset. As I was cursing myself and asking WHY DOES THE MOST BEAUTIFUL SUNSET HAVE TO HAPPEN WHEN I’M NOT WHERE I AM SUPPOSED TO BE, I took a minute to breathe and decided to capture what I could.

Enjoy… and stay tuned.

[fancy_images height=”500″ width=”900″ alt=”Forks, WA Sunset” title=””]http://navinsarmaphotography.com/wp-content/uploads/Forks_Washington_Sunset.jpg[/fancy_images]

[download_link link=”http://navinsarmaphotography.com/wp-content/uploads/Forks_Washington_Sunset.jpg”]Save as wallpaper[/download_link]

 

 

Almost at Olympic NP

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As some may know, this weekend I’m on a photography and camping trip to Olympic National Park outside Seattle.

Hopefully, I will learn more nuances of landscape photography and come back with some nice shots.

Wish me luck!

FotoDC FLASH Submission

So… it’s been more than a month since I posted to this blog. However, it’s not for lack of effort. I finished setting up new gallery page (which is hopefully easier to navigate, lighter, and more Google friendly) and…

In January, I caught wind of a FotoDC call for the submissions to display at its “FLASH” display next month. It coincided perfectly with my effort to revisit my past images with a different eye towards processing and cropping, so I thought I would give it a try.

The biggest challenge I found was to create one portfolio with a clear message. When I went through my collection, it  surprised me to see how varied the images were.

I considered the most obvious themes: Washington DC, Travel, or Landscape photography. Ultimately, I thought those subjects to be too generic to really catch anyone’s attention. Then I thought through individual trips I had made: Cabo, St. Thomas, or Shenandoah. But then I thought it wasn’t indicative of all the work I’ve done to this point.

In the end, I decided on a portfolio that spanned several years and included distinct images tied together by my vision and motivation for taking them.

I sat down with a curator, Philip Brookman, on February 6th to walk him through my images and theme. I read him my work statement and (after a bit of technical difficulties) walked him through the photos. He seemed to identify with my motivation for taking and sharing my work and also seemed to enjoy the images I showed him.

However, after some time, he asked if I had a particular focus in mind. I think his question was the result of me not walking him through the connection from image to image, but also because he had a point. I think the portfolio I presented was a bit too abstract and hard to grasp at first glance. While the images may be interesting, the “point” of it all was lost in translation.

So long story short, I didn’t make the cut for this year’s FLASH exhibit. I didn’t really expect I would, but I’m glad I gave it a shot. I came away with a little better understsanding of how artists need to package their material for appreciation by others. Hopefully, next time will be a success. 🙂

After all that, I wanted to post the portfolio I did submit here on my blog. Perhaps you can make the connection that I tried to convey (but perhaps not). The work statement tells a bit of the motivation behind capturing and sharing the images. The images themselves follow a specific sequence that ties colors, subjects (e.g., land, boats, birds), and compositions from one shot to the next. Please take a look below and tell me what you think… as always, I love hearing from you…

[color_box title=”Works of God: The Natural and Human Environment”]
I am continuously amazed by the beauty apparent in our world.

God is the driving force for all that our eyes can see. It is also the force that lets us see at all.

This portfolio shows the synergy of God and man. It attempts to illustrate our environment as a community of manmade and natural structures – though all things manmade are natural.

This portfolio strives to tie images together using similarities or contrasts in light, colors, and subjects through scenes from around the world and our backyard.

I hope that the images in this portfolio give you the same sense of warmth and wonder they give me. Ultimately, transferring those feelings is the primary motivation for sharing my work.

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1 – Virginia farm after a storm
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2 – Lonely house in Peruvian countryside below menacing clouds
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3 – Interesting shadows cast under a stark blue sky in Cusco, Peru
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4 – Abandoned shack in Olney, Maryland
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5 – Late fall sunset at Lake Needwood, Maryland
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6 – Sunset silhouetting huge mountians in Cabo San Lucas, Mexico
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7 – Dusk at a St. Thomas, USVI dock
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8 – Spotlight of sun at Langford Reef, Australia
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9 – A bird sails by over rocks on the shore in St. Thomas, USVI
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10 – A bird overlooks the Incan ruins at Machu Picchu, Peru
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11 –  A flock of birds passes by in the St. Francis Cathedral in Lima, Peru
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12 – A flock of birds soars by the sunrise in over the Washington, DC skyline
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13 – Fog covers the DC Skyline and brings attention to buildings in Georgetown
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14 – A rainbow connects DC and VA over the lush greens of the Potomac River
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15 – Snow over the Potomac River glues white to trees as a misty sunrise blocks DC
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16 – Iwo Jima Memorial during the 2009 Washington, DC blizzard
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17 – The super harvest moon rises over the Iwo Jima Memorial

Macro Photography of the Ice Storm in DC

Here’s a quick post after the light ice storm we had last night.

I really had hoped that the freezing rain would encapsulate the trees and sidewalks with a layer of ice. While it is a little dangerous and annoying to walk and drive on, it really is pretty cool to see.

Here’s a ledge right outside of my apartment, lined with a row of icicles. used a shallow DoF to of blur out the icicles in the background:

Icicles along a ledge in Arlington, VA

Icicles along a ledge in Arlington, VA

Next is a macro of the ice that covered a barren twig. The outer texture of the ice showed an interesting series of almost hexagons:

Macro of ice on a tree limb in Arlington VA after a Washington DC ice storm

Macro of ice on a tree limb in Arlington VA after a Washington DC ice storm

Of course, the ice isn’t here to stay and let us all off work and school (fingers still crossed for a big storm), so I caught this one shot of water dripping from an icicle. The combo of long focal length and wide aperture really tightened the focus:

A drip of water melts from an icicle after a Washington DC ice storm

A drip of water melts from an icicle after a Washington DC ice storm

Ok so now that that dinky storm is over, I’m ready for Snowmageddon 2011!! That has a better ring to it than last year doesn’t it?

10 Best Shots of 2010

I know its a couple weeks into the new year already, but I wanted to do a quick post to recap my work in photography this past year.

2010 was a year of growth for me when it came to photography. I started with it a few years ago as just a careless hobby. Soon after I bought my first SLR, though, I found it always stuck to me and pointed at god knows what in the hopes that  I would get a cool shot. I had no idea what lenses did what and what the seemingly millions of settings and accessories meant. Somehow, I ended up where I am now… constantly thinking about how I can get better at taking and processing photos.

But over the past year, I really feel like I learned more about how to capture the moment, as I felt it, than in any other year. Who knows how much more I will learn or how much better my shots will get? Lord knows there’s a ton more out there I need to understand. Thankfully, I have the will to go and understand it. I hope that will continues far into the future.

So all that said… I wanted to post my top 10 photos from 2010. There were several that could have made the cut over others, but these were my gut feeling choices the first time I went through them.  Here they are, in chronological order:

#10 – DC in a Fog

DC covered in a misty fog

DC in a Fog

#9 – Iwo Jima Memorial during a blizzard
Iwo Jima Memorial during a blizzard

Iwo Jima Memorial during a blizzard

#8 – Sunrise over the Potomac after a snowstorm

Sunrise over the Potomac after snowfall

#7 – Sunset at the Jefferson Memorial at the Cherry Blossom festival
Sunset at the Jefferson Memorial during the Cherry Blossom Festival

Sunset at the Jefferson Memorial during the Cherry Blossom Festival

#6 – Tidal Basin & Washington Monument at the Cherry Blossom Festival
Tidal Basin & Washington Monument during the Cherry Blossom Festival

Tidal Basin & Washington Monument during the Cherry Blossom Festival

#5 – Horses on the Beach in Cabo, San Lucas
Horses on the Beach in Cabo, San Lucas

Horses on the Beach in Cabo, San Lucas

#4 – Iguana in St. Thomas, USVI
Iguana in St Thomas, USVI

Iguana in St Thomas, USVI

#3 – Harvest Moon over the Iwo Jima Memorial
Harvest Moon over the Iwo Jima Memorial

Harvest Moon over the Iwo Jima Memorial

#2 – Sunset in the Shenandoah Mountains
Sunset in the Shenandoah Mountains

Sunset in the Shenandoah Mountains

#1 – Starlight over Great Falls
Starlight over Great Falls

Starlight over Great Falls

So… what did you think of my year? Anything you liked or thought I could have done better? Maybe you think these really WEREN’T my best (see all of my 2010 shots here)? Please comment… I’d love to hear from you.

Made CNN iReport Best Travel Shots of 2010

A quick plug here… 🙂

A photo I submitted to CNN iReport made of of the best travel photos of 2010.

It was the photo below… taken during a foggy night over Washington, D.C. I took this from the balcony of my old apartment in Rosslyn, VA:

[fancy_images height=”500″ width=”750″]http://navinsarmaphotography.com/wp-content/uploads/2011/01/WashingtonDCMonumentFog.jpg[/fancy_images]

Check it out here (number #31, Washington).

Thanks for looking.

New site design!

So I just rolled out my the new design to my website. Give it a shot and let me know what you think!

Two years since launch, I felt the need for a fresh, simple look that centered content more around the blog than the galleries. This redesign is part of a larger effort to become more searchable and therefore more identified in the photography community. I’ve got other changes in store, including redesigning the SmugMug gallery pages into one within this blog’s look.

As the redesign continues, I hope to make my site an engaging and simple experience for every visitor.

Help me along that way, if you could, by providing me with comments below:

[contactform email=visions@navinsarmaphotography.com]

Thanks so much. Cheers to a happy and healthy 2011.

Shenandoah in the Fall

Over the past couple of years, I had really wanted to take a trip to Shenandoah during the peak of its fall season. But, you know how it goes… weather reports look meh, this week turns into next week, and sooner or later winter is in full swing. This year, however, my family and I mustered up the energy to go out to Skyline drive, through Shenandoah in the Blue Ridge Mountains.

We went during “peak” as described on Shenandoah’s Skyline Drive website, but when we went, we were surprised to see much green in the lower elevations as the park. Luckily, as we trekked up the trail, the colors became brighter and more vibrant. We really could not have asked for a better day, either, as temperatures were near 80 and the sun was shining brightly.

The first shot I took was as we arrived to the first lookout point. Regardless if the colors of fall were present or not, the depth one can see in the distance is reason enough for a visit to Skyline Drive. I thought it was cool how the road bent around the mountain where a lone tree overlooked the valley:

Shenandoah Skyline Drive Lookout
Shenandoah Skyline Drive Lookout (click for larger version or purchase)

One thing you’ll notice about most of these photos, and what you notice while looking out across the Blue Ridge Mountains, is the blue tint that rises from the hills. Apparently, it’s the result of hydrocarbons released from the trees. No, I’m not that smart, that’s just what the National Park Service says.

When we stopped at another lookout, I noticed large and graceful birds soaring across the valley. It was really quite a sight: the birds (which I later learned were Peregin Falcons) glid from right above our heads to far in the distance, circling the vast perimeter almost like they were outlining their territory. Unfortunately, I was only able to get one decent shot before the birds were out of sight:

Peregrin Falcons in Shenandoah
Peregrin Falcon in Shenandoah (click for larger version or purchase)

As I have mentioned, leaves in the lower elevations of Shenandoah had not turned into the vibrant, reddish colors of the climax of fall. However, that’s not to say that the sights we saw in the earlier parts of the trail did not hold their own beauty.

This next shot was in a patch of similarly sized trees. The sun shined warmly through the yellowed leaves:

Sun through the trees, Shenandoah
Sun through the trees, Shenandoah (click for larger version or purchase)

Here’s a slightly different angle — to highlight the height of the trees and the window they formed to the blue sky:

Sun through the trees, Shenandoah
Sun through the trees, Shenandoah (click for larger version or purchase)

As we continued up the trail and into the mountains, the hills of Shenandoah began to separate. We realized soon that we weren’t looking at just one, but several mounds of earth that stretched into the distance. In this next shot, you can see three such mounds, with the furthest being shadowed by a passing cloud:

The hills of Shenandoah
The hills of Shenandoah (click for larger version or purchase)

Also as we continued up the trail, the colors within the trees started to show more luster. Here’s a shot of the sun as it highlighted the yellow-orange trees over Skyline Drive. Note also the car approaching from a distance:

Fall trees over Skyline Drive
Fall trees over Skyline Drive (click for larger version or purchase)

Amongst the vibrant trees were some that had already lost their leaves. These trees made for interesting subjects in contrast to their surroundings. Here’s a lone tree overlooking a valley, with a couple also enjoying the view:

Bare tree over an Shenandoah outlook
Bare tree over an Shenandoah outlook (click for larger version or purchase)

This next one was a similar but more interesting site. Amongst a hillside of colorful orange trees were equally colorless (or white) trees that had already lost their leaves. They had an interesting shape — one that took a more vertical, rather than a cone or bush shape. One particular tree stood closest to me, which created an interesting contrast with the bush below it, the sun-lit trees on the hillside, and the lookout in the distance:

Bares tree over a Shenandoah outlook
Bare trees over a Shenandoah outlook (click for larger version or purchase)

This next one is one of my favorites from the trip. As dusk neared, the sun flattened its light and provided a more calm look to the mountains. The sun peeked in from the right, shining through from the group of yellow trees on the right to the orange trees on the left, and casting subtle blue shadows in the hills in the distance. In the foreground shadow, the greenish sedimentary rock and the colorful brush helped to neatly frame my eye to the scene:

A rock, the trees, and the Shenandoah Valley
A rock, the trees, and the Shenandoah Valley (click for larger version or purchase)

Now, as everyone who has ever been to Skyline Drive and Shenandoah knows, the most striking thing to see out there is the spectacular sunset. I climbed down from the pedestrian trail and outlook and found a spot between two large rocks that overlooked the vast valley but also was a few feet from a smaller precipice. Before I tell the story, I just want to mention what a beautiful experience that was. Warm air gently breezed over the valley, swaying trees very slightly as the sun tuned its hues warmer to paint the mountains into striking colors.

As the sun began to set, the light shone through the trees in the distance. I thought it was really cool to see the amber light illuminate the trees and the about 9 layers of hills in the shot:

Amber light illuminating the trees of the Shenandoah mountains
Amber light illuminating the trees of the Shenandoah mountains (click for larger version or purchase)

As the sun continued to set, the light from the sun turned from amber to orange, spotlighting a prominent hill to my right. In the distance, you can see that while many trees are orange and red, many contrast with green from the summer:

Orange sunset on a Shenandoah hill
Orange sunset on a Shenandoah hill (click for larger version or purchase)

The sun sat very near the horizon as I shot this wide-angle view of the valley:

Shenandoah Sunset
Shenandoah sunset (click for larger version or purchase)

As the sun sank beneath the mountains, it began to take a more magenta color as the hills’ blue hues started to show:

Shenandoah sunset
Shenandoah sunset (click for larger version or purchase)

I was able to switch lenses quickly to catch this next close-up of the sun. It was really gorgeous to see it quickly slipping on to the other side of the world, turning the horizon orange, magenta, purple, and blue as it wrestled with the colors of the mountains. It was also cool to see the several layers and depth of the hills:

Shenandoah sunset
Shenandoah sunset (click for larger version or purchase)

As the sun completed its descent, I took one last to show the vibrant colors of the valley:

Shenandoah sunset
Shenandoah sunset (click for larger version or purchase)

So… as you can see, I had a very good time going to Shenandoah this past fall. The weather was really perfect and the sights were even more so. It was really very nice also because I went with my parents and aunt, all of whom were more than happy to stand by as I shot photo after photo. I appreciated their patience very much.

And of course, as we exited Skyline Drive, I had to ask their patience once more, as the moon rose quickly over the opposite side from where the sun set. As soon as we popped into the car to go home, I popped out to get one. last. shot. I always say that though don’t I? 🙂 I thought this one was cool because despite the darkness that set over the mountains, you can still see some color of changed leaves in the trees, and the city lights in the distance:

Shenandoah moonrise
Shenandoah moonrise (click for larger version or purchase)

So today, as winter solstice arrives, I will say bye to fall… My favorite and the most beautiful season.

Diya

Recently, I took photos of a new restaurant in Tyson’s Corner called Diya. The owners of Diya, who also own Ascot (in Washington DC),wanted to branch out and reach more of people and businesses in the suburbs. Similarly to Ascot, they included a banquet hall for people to hold large parties and events.

The restaurant is really nicely situated at the base of modern office building. The dramatic shape of the semi-circle walkways really captured my eye:

Diya Tysons
Diya’s exterior

The interior is very nice too. Both the bar area and banquet hall have ample space and elegant styling:

Diya Tysons
Bar area

Diya Tysons
Banquet hall

Diya Tysons
Banquet hall

Check out the rest of the pics here and restaurant website here.

Home for Thanksgiving

I love being home for Thanksgiving. Nothing to do but hang out, eat, and drink with those you really care about.

Now it seems to me that people think they can’t get cool photographs around where they live. I think they’re wrong. It’s really amazing what you see when you just open your eyes.

So for Thanksgiving and in the spirit of being home for the holidays, I thought I’d post some shots from around my house — some taken in the last couple days.

This first one is who I’d like to call the “King” of the pond in my neighborhood. This mammoth red-painted turtle is one amazing (and ugly) dude. Here he stands in his classic “King of the Castle” pose:

Red Painted Turtle in Maryland
Red Painted Turtle in Maryland (click for larger version or purchase)

I’ve got plenty more of him and his turtle, frog, and dragonfly friends from the pond… if only I could catch up on my editing queue… stay tuned.

This next one is from a lake about 1.5 miles from my house. I used a long exposure on this shot to show movement in the water:

Lake Needwood Olney MD
Lake Needwood(click for larger version or purchase)

Got this next shot at a park near my girlfriend’s house:

Fall colors
Fall colors in Clarksburg, MD (click for larger version or purchase)

These next two shots were taken just a couple days ago.

This first one was at dusk after a cloudly day. I ventured a few miles north from my house in search of an open field… hoping to capture some of the dramatic clouds and color with the setting sun. I found a small opening in the road… into something I would call a random, open field. On this approximately 3×3 acre plain sat a horde of Canadian geese, seemingly resting between flights down south. They were too far away to get a decent shot of, but were really awesome to see nonetheless. What was really cool was the dark swirling clouds over a trees backlight by the fire of the sunset:

Fall Clouds during Sunset
Fall Clouds during Sunset (click for larger version or purchase)

This last one was pretty amazing to see. You might have seen my Twitter status that said, “Halo around the moon”… Well, here’s what I saw — a misty halo around the moon over my house:

Halo around the Moon
Halo around the Moon (click for larger version or purchase)

There are some other cool ones from that set, so I’ll post those (hopefully soon).

Anyways, everyone have a great Thanksgiving… and cherish home, as I try to.

Starlight

Just a quick piece on some recent work.

Recently I’ve been trying my hand at night photography, with some varied success. Here is a sampling of some stuff I’ve shot recently.

After taking these pictures, I think it’s really quite amazing how many stars and planets are out there that our eyes just can’t see.

This first one is from the backyard of my house in Maryland. Check out the plane flying by :). I positioned the camera to show some of the house and the trees, just to get a sense of perspective against the night sky:

Night Stars
Backyard Stars (click for larger version or purchase)

Every time I see the stars outside, my eyes are drawn to the brightest. Under normal circumstances, that “star” would be Venus… though now, given their orbits, its Jupiter. But I did not quite know that Jupiter is the brightest star in the sky right now until I took this shot:

Jupiter and its four moons
Jupiter and its four moons

Yes, that’s Jupiter and its four moons. I thought it was amazing that my 200mm lens could capture it in as much detail.

So do you want to know how many stars there are in the sky? If you do, don’t ask me :). But if you’d like to see how many stars you can actually see while looking up from Suburbia, USA, check out the next shot. To REALLY view as many stars as were captured, click the link and view the largest (“X3”) version.

Night Stars
Night Stars (click for larger version or purchase)

While I was really trying to focus on the constellation on the right of the photo (of which I still don’t know the name – help?), I was blown away by what came through in the shot. It’s really quite unbelievable how many stars and planets are out there. Each small sliver of light is some distant object. As you can see, some have different color tones: red, blue, green amongst others. The stars also have a distinct, lower case “t” shaped cast of light as well that’s somewhat visible in this photo.

This last shot is one from Great Falls Park in Virginia. I probably spent about 10 hours over the course of 3 sessions shooting this and other shots there — if you have not been there, put it on your list. I captured it right after sunset, while the sky still clung a shade of pink. I used a longer exposure to show some movement in the clouds, and the lights a passing plane:

Great Falls Park Night Stars
Great Falls Park Night Stars (click for larger version or purchase)

That’s all I have for you today. I am trying to get better at this type of technique (in particular by reducing noise); check back in sometime — hopefully I can do the cosmos a little more justice.

St. Thomas, USVI

Here’s a shocker: I love bringing my camera with me when I go on vacation.

Actually, when I bought my first dSLR, I considered not taking it with me to a trip to Europe and India. My dad was adamant that I NOT take it with me, claiming that evil people prey upon my camera and would snatch it even before I finish deplaning. I was THIS close to listening to him when I stopped and thought about it: why else did I buy a camera if not to record moments I might not ever experience again, in places I might not ever return to? Did I care that I was going to a place that’s foreign, dangerous, or hazardous? I decided that I would never get “the shot” if I was scared to bring my camera with me.

So, since then, I’ve pretty much lived to the rule of “always bringing my camera”. I’ve brought it with me to mountains in India, glaciers in New Zealand, and beaches in Brazil, amongst other places. I’ve tried to carry my camera despite thought of it potentially getting stolen or damaged by the elements. As it turns out, that last image of Brazil was taken in water that was chest-deep; I would have never been able to capture that shot had I been scared that I would drop my camera in the water.

All that being said, when I take my camera on vacation, I try to balance between taking photos and experiencing the moment. I actually try to do the same any time I’m out in nature, but I feel that its especially important when in a foreign place because I never know when I am bound to return.

I especially try to balance between taking photos and experiencing the moment when on vacation with others. I know it must be a real pain when people wait for me to get a shot or two… and are still waiting a couple hundred clicks later.

So getting back to the title of this post: I’d like to thank my beautiful girlfriend for putting up with my obsession during our trip to St. Thomas, and allowing me to capture a few shots. 🙂

We, like most people who go to St. Thomas, went to the island to RELAX. And by relax I mean, wake up late, eat, drink, beach, drink, sleep, and repeat. We didn’t move a muscle — so, neither did my camera. Luckily, our resorts offered enough pleasing sights to capture a couple shots.

This first one is from our first hotel, the Marriott, Frenchman’s Reef. Probably the nicest thing about this hotel is the view offered from the bar outside. I caught these two photos when we arrived at sunset our first day:

Sunset St Thomas USVI
Sunset from the hotel, St. Thomas, USVI (click for larger version or purchase)

Sunset St Thomas USVI
Sunset from the hotel, St. Thomas, USVI (click for larger version or purchase)

The next day, our first full day at the beach, we wandered down the beach to one of many points of rocks. The sun in the background provided quite a nice silhouette of the building and trees… and a passerby :):

Sunset St Thomas USVI
Bird over rocks, St. Thomas, USVI (click for larger version or purchase)

The rest of the day we spent just lounging at the beach. On the way back to the hotel, we were greeted by a one of a host of friends we didn’t know would be staying:

Sunset St Thomas USVI
Iguana, St. Thomas, USVI (click for larger version or purchase)

Yes… that’s an iguana. One of several that were roaming the hotel. We learned that the island is densely populated with iguanas of all shapes and sizes. Looking at these creatures up close felt like a journey though time: they look like they could be straight from prehistory. Especially interesting is the variety of colors on the skin:

Sunset St Thomas USVI
Iguana, St. Thomas, USVI (click for larger version or purchase)

The next morning, I woke up early to see if I could catch other interesting sights around the hotel. As my eyes gravitated towards the trees, I found dude just hanging out:

Iguana in the trees, St Thomas USVI
Iguana in the trees, St Thomas USVI (click for larger version or purchase)

This next shot was quite a challenge. Our hotel was situated on a cliff, and below it the gorgeous, turqouise water (that the Carribbean is known for) gently pushed up on the rocks. I angled this shot to show the perspective from the cliff, complete with the water, trees, rocks, and… their overseer. 🙂

Iguana in the trees, St Thomas USVI
Iguana in the trees, St Thomas USVI (click for larger version or purchase)

I wish I had a better angle, but sometimes you take what you can get.

I kept wandering around the hotel until I found a rather intruiging scene, as the morning sunlight shone a spotlight on an outlook to the water:

Sunrise Spotlight, St. Thomas, USVI
Sunrise Spotlight, St. Thomas, USVI (click for larger version or purchase)

I kept the foreground dark purposefully so to show the sliver of orange light that I found interesting.

That same day, we ventured out to Yachthaven, a local community square with shopping and restaurants at the pier. There, I captured this shot to emphasizes the columns under the buildings and the rocks below them. And of course the beautifully colored water:

Yachthaven, St. Thomas, USVI
Yachthaven, St. Thomas, USVI (click for larger version or purchase)

Later that day, we switched to the Wyndham Sugar Bay hotel. We didn’t do this because we were unhappy with the Marriott, but because (thanks to an airline error) we were able to extend our vacation by one day with no extra cost and the Marriott had no vacancy. It all was a blessing because we really enjoyed our extra day and the better ameneties at the Wyndham.

Sugar Bay was really quite striking. The rocks and coral in the shallow part of the bay created quite a contrast with the bright turqouise in the intermediate depths and the dark turqouise in the deeper trenches. The water was set with a background of blue and green mountains that stretched really far into the distance. The finishing touch to the scene was a small island of green trees in the foreground, and a cream colored building that overlooked it all:

Sugar Bay, St. Thomas, USVI
Sugar Bay during the day, St. Thomas, USVI (click for larger version or purchase)

Of course we had to get a shot of ourselves against this beautiful background:

Sugar Bay, St. Thomas, USVI
Sugar Bay, St. Thomas, USVI

The really interesting part about the bay was how different it looked at dusk. As the sun set, it dulled the colors of the water, turning it brackish with only a hint of blue. At the same time, the sun illuminated a large rock against the island of trees, warming the rock into an orange color, and painted the clouds pinkish blue, allowing contrast against the white boat in the distance:

Sugar Bay, St. Thomas, USVI
Sugar Bay at dusk, St. Thomas, USVI (click for larger version or purchase)

On our last day at the island, we visited Magen’s Bay, which is world-famous for its crystal clear and warm waters. Unfortunately, the day we arrived, a cruise ship dumped about 3247193 people off to enjoy themselves and ruined any chance of us relaxing in peace or me taking any meaningful photos of the landscape. But, we made do with what we had.

We walked along the edge of the bay until we reached the forest, where finally I saw a shot that could include some of the 2382039209 people. The scene, which included a cascade of rocks against the blue sky and turqouise water, was more than enough reason for these kids to enjoy the moment:

Magen's Bay, St. Thomas, USVI
Magen’s Bay, St. Thomas, USVI (click for larger version or purchase)

I shot the next one a little closer up, highlighting the texture of the rocks and blurring out the background of crystal water and the mountains:

Magen's Bay, St. Thomas, USVI
Magen’s Bay, St. Thomas, USVI (click for larger version or purchase)

After just a short while at the bay, we had to head to the airport to get home. But not before I took at least one shot of my model:

Magen's Bay, St. Thomas, USVI
Sugar Bay, St. Thomas, USVI

St. Thomas was a blast — another vacation where I brought my camera but still tried to balance photography and the experience. I can only hope that anyone who goes on a trip with me is as gracious as my girlfriend was when it came to snapping away at the scene — because Lord knows I haven’t been able to stop.

Preview: Super Harvest Moon over the Iwo Jima Memorial, Washington, DC

By now, I’m sure that you have heard of the Super Harvest Moon that the we in the Northern Hemisphere were lucky enough to witness last week. If you missed the news out on it, you can read some details here.

If you hadn’t heard, don’t feel bad — I didn’t even know until the evening it was happening. So, I rushed out with my camera and tripod to a site I know in DC that would have a rising moon as the backdrop: the Iwo Jima Memorial.

While I’m still sifting through photos from that night, I wanted to just provide a short preview of the output I’m looking for. I’ll get into a little of the technique I used in a later post. In the meantime, enjoy!

Super Harvest Moon over the Iwo Jima Memorial, Washington DC
Super Harvest Moon over the Iwo Jima Memorial, Washington DC (click for larger version or purchase)

Cabo, San Lucas Mexico: Part 2

So, following up from where I left off last time

We wanted to stay pretty active during our vacation, so after we went ATV riding, a few of us went scuba diving (including me) and a few went golfing.

Now, one of the pieces of advice I give and almost always follow is ALWAYS BRING YOUR CAMERA IF YOU WANT TO GET “THE SHOT”. But of course, that day I didn’t listen to my own advice. I thought, “Hey, we’re just going to go scuba diving. I can’t take my camera in the water and there will be nothing to see”. I had conveniently forgotten that there’s a BOAT where you can store your camera, and I bought a waterproof camera bag so that in case the bag gets splashed, the contents are still good. AND I had conveniently forgotten that we were going to travel by boat past the famous El Arco to get to our scuba spot.

Long story short, we sailed right past some pretty incredible sights, including a group of sea lions laying out near the arches and a single sea lion right next to our boat on a lonesome rock. Missed both shots. Good work, Navin. The whole time I kept muttering to the guys on the boat: “We need to come back here we need to come back here”. Not only because the sights were really gorgeous, but because I didn’t bring my camera!!

Thank my lucky stars, we went back the next day. This time, not for scuba diving, but to visit two famous beaches near the Arch: Lover’s Beach and Divorce Beach, which are on opposite ends of a thin strip of sand and mountain. Lover’s beach is the side on the Gulf of Mexico, and has generally calm and beautiful water… suitable for lovers. Divorce beach is on the side of the Pacific Ocean, and generally has fierce currents and waves… and is as rocky as a spoiled marriage. Clever huh? In the middle of the two beaches are huge rock formations that take very interesting shapes.

Enough description… here are some pics:

El Arco, Cabo San Lucas, Mexico
El Arco del Cabo (click for larger version or purchase)

El Arco, Cabo San Lucas, Mexico
El Arco del Cabo (click for larger version or purchase)

One thing about Cabo is that there are pelicans everywhere. You’ll notice them if you look very closely into the distance in the shots further down in this post. I’ll point them out too :). Pelicans are quite graceful birds; long, formidable, and agile. I didn’t get a single REALLY NICE shot with a pelican, but here are a couple to note. The second one might take you a half second :):

Pelicans in Cabo San Lucas, Mexico
Pelicans in Cabo San Lucas, Mexico

Pelicans in Cabo San Lucas, Mexico
Pelicans in Cabo San Lucas, Mexico

After our really scenic boat ride, we arrived at Lover’s beach. This was by far my favorite spot and favorite time of the entire trip. This beach was so beautiful. The sight in the distance was Neptune’s finger (a famous rock formation) within warm, crystal clear, turquoise and blue water. The beach was surrounded by towering rocks that formed a cove that provided shade to beachgoers. Also up the beach, towards the city were several amazing rock formations. See for yourself:

Neptune's Finger from Lover's Beach, Cabo San Lucas, Mexico
Neptune’s Finger from Lover’s Beach (click for larger version or purchase)

Neptune's Finger from Lover's Beach, Cabo San Lucas, Mexico
Neptune’s Finger from Lover’s Beach (click for larger version or purchase)

In this next photo, you can see how the rocks, formed like a cove, provide shade from the sun:

Neptune's Finger from Lover's Beach, Cabo San Lucas, Mexico
Neptune’s Finger from Lover’s Beach (click for larger version or purchase)

So many times when I try to get a shot, I really get aggressive and try to get in the element of the environment I’m shooting in. For example, if I’m shooting a tiny bug or frog, I’ll get way down on the floor with my cheek on the mud. Sound like fun? Well in this case, I kept getting closer and closer to the waves, trying to get the perfect shot. Because this was “Lover’s Beach”, I thought that the waves were pretty calm and I would be fine. Needless to say, the water almost took me and my camera out. Check the evidence here:

Lover's Beach in Cabo San Lucas, Mexico
Uhhh CLOSE CALL!!

When the wave crashed, I backed up and nailed my heel on a rock, falling backwards. I and the cam survived though! But a funny thing happened: a couple people saw me almost die. I brushed myself up off of the sand after and yelled out to them “I’m OK don’t worry!”, to which a lady responded, “Who cares about you, how’s your camera!”. Great minds think alike, lady.

I thought that was a good time to take a break and take some shots of the guys. Oh Nana, thanks for the bunny ears. I look much more attractive this way.

Lover's Beach in Cabo San Lucas, Mexico
Lover’s Beach in Cabo San Lucas, Mexico

Lover's Beach in Cabo San Lucas, Mexico
Lover’s Beach in Cabo San Lucas, Mexico

After that, I wandered around the area between Lover’s and Divorce beach and found a bunch of interesting rock formations:

Rock formations on Lover's Beach, Cabo San Lucas, Mexico
Rock formations on Lover’s Beach (click for larger version or purchase)

This next one was in a quarry (for lack of a better word), right in the middle of the two beaches. The scale of these rocks is really what struck me:

Rock formations between beaches in Cabo San Lucas, Mexico
Rock formations between beaches

After I finished exploring that area, I wandered over to Divorce Beach. It was much different than Lover’s Beach in that the water was much darker and rougher, and there was less to see except for the openness in space. Not to worry, I still found a couple subjects to photograph:

Rock formations on Divorce Beach, Cabo San Lucas, Mexico
Rock formations on Divorce Beach (click for larger version or purchase)

This next shot was completely unexpected. As I was shooting the open space, I noticed a lone woman walking down from Lover’s beach into Divorce beach. For some reason I had missed her as she had walked the (pretty far) distance. But I was able to catch her in motion right before she faded over the horizon of sand. Luckily, she was wearing a color that provided good contrast against the blue sky:

Lone woman on Divorce Beach, Cabo San Lucas, Mexico
Lone woman on Divorce Beach (click for larger version or purchase)

Unfortunately, I didn’t have as much time at Lover’s and Divorce beach as I wanted. I barely got enough time to take these pics and play a couple games of catch with a football we brought. We had to get back on the boat and back to the hotel to get ready for a sunset cruise we haggled for (along with everything else in Cabo) and thought would be cool for our last night.

The sunset cruise did not disappoint. We sailed around Land’s End, El Arco, and Neptune’s Finger while the sun sank and painted the each site with dusk hues. I like this next shot because of its hues and also the way I feel my eyes lead through the cascade of subjects from Neptune’s finger to Divorce Beach. A bit more contrast (though quite hard if not impossible) might have helped to make the cascade a bit more dramatic, though:

Neptune's Finger, Cabo San Lucas, Mexico
Neptune’s Finger, cascading towards Divorce beach (click for larger version or purchase)

Like I mentioned, we sailed past El Arco and I got as close as I could with my lens to the sea lions that are perpetually lazing there. They’re still really hard to make out — good thing now I got my 200mm lens to reach a little further next time:

Sea lions Cabo San Lucas, Mexico
Sea Lions around El Arco

Now we weren’t the only show in town who thought of a sunset cruise amongst these beautiful subjects. At first, I thought these boats would be a nuisance when I was trying to set up my shots, but they actually made for somewhat compelling complements. I got one of El Arco without any boats but then decided to use the boats to help make some of the other shots:

El Arco, Cabo San Lucas, Mexico
El Arco (click for larger version or purchase)

El Arco, Cabo San Lucas, Mexico
El Arco (click for larger version or purchase)

Surrounding mountains in Land's End, Cabo San Lucas, Mexico
Surrounding mountains in Land’s End (click for larger version or purchase)

Surrounding mountains in Land's End, Cabo San Lucas, Mexico
Surrounding mountains in Land’s End (click for larger version or purchase)

I thought this one was cool because it showed a little pathway from the Gulf of Mexico to the Pacific Ocean:

Surrounding mountains in Land's End, Cabo San Lucas, Mexico
View to the Pacific (click for larger version or purchase)

A similar one with no boats. I like the varied depths of the subjects and how the shadows and light presented them:

Surrounding mountains in Land's End, Cabo San Lucas, Mexico
Another view to the Pacific (click for larger version or purchase)

Now, from the beach, the mountains around us looked big, but not extremely large. But as we crept away from Land’s End, the venue from the boat told a completely different story. Each of the mountains we saw was massive and scattered in different places the Land’s End. This was a very dramatic scene, especially against the setting sun. The last two pics are some of my favorite from the trip; I’d recommend clicking both and viewing them at their largest (X3) size to view all their details.

In this first one, you can see just how massive these mountains are by finding the two pelicans flying to the left of the mountain and into the distance, and the other pelican above the third mountain I like this shot because of the sheer scale of the subjects, the mist in the distance in the bottom left that tells you there’s another set of huge mountains there too, the way the mountains cascade down in size, and the reflections on the water from the sun behind the mountains. Whew. Still, it was a better scene in person.

Mountains in Land's End, Cabo San Lucas, Mexico
Mountains in Land’s End (click for larger version or purchase)

This last one MAY just be my favorite. Similar to the last shot, what strikes me is the scale of these mountains. If you look closely to the right and left of the peeking sun, you can see a couple pelicans which will help you reference the mountains size. The next thing I like about the shot is the peeking sun. I was lucky to get the shot right at the moment the sun broke away from behind the mountains and into my lens. I like how the sun created a more dramatic silhouette of mountains and very light, but visible, reflections on the water, which help to draw scale. The last thing I like about this shot is the boats on the right. Again, I think capturing these complements helps with scale but also provides another area of interest in the photograph.

Mountains in Land's End, Cabo San Lucas, Mexico
Silhouette of mountains in Land’s End (click for larger version or purchase)

After I got these shots, the sun went down and it was time for good old fashion ‘drinking and eating in another country’. Cabo was a hell of a time and I really would like to go back sometime… Since this time we went for Mani’s bachelor’s party, maybe next time we’ll go to celebrate Mani having his first kid. Seems like he likes that idea… 🙂

Cabo San Lucas, Mexico

Eden

Last month, I did a shoot for the owners of Eden, a redesigned and revamped club in Northwest, Washington DC. The club formerly known as Eyebar has been renewed and expanded to now include a rooftop lounge. The rooftop has a huge bar and dancing area with a DJ booth that oversees all the action. Not only that, Eden has established a super VIP area on the 3rd floor that has a full wine and cigar bar and a DJ booth that both service only three tables. Exclusive, to say the least.

Capturing the essence of the club with my camera was unique and fun for me. The club is meticulously designed, from the floors, walls, props and ceilings. I tried to give the viewer a macro-view of the club (such as the view from the DJ booth) down to the micro-view of its details (such as the intricate textures of the wall). While it was fun to capture the different angles and subjects within the club, the most engaging for me was capturing Eden’s kaleidoscope of colors.

Eden is not just one color. It’s every color.

I’ll let the pictures do the rest of the talking. Below are a select few shots. For more shots, please see my website.

Eden DC
Rooftop LED screen

Eden DC
Bar on the rooftop

Eden DC
View from the DJ booth

Eden DC
Eden-branded cigars

Eden DC
3rd floor VIP room

Eden DC
3rd floor VIP room

Eden DC
3rd floor VIP room

Eden DC
3rd floor VIP room

Eden DC
Hallway on the 3rd floor

Eden DC
Hallway on the 3rd floor

Eden DC
Rooftop LED screen

Eden DC
Rooftop LED screen

Eden DC
Rooftop LED screen from the bar

Eden DC
Garden of Eden

Eden DC
3rd floor bathroom

Eden DC
Rooftop VIP

Eden DC
Textures from the roof

Eden DC
From outside

For more shots, please see my website.

Studio Work

As you might know, I photograph much more outside than inside. I usually like to go “out in the field”, witness, and record the subtleties of the world through my camera. Sometimes, though, the subtleties can’t be captured as they are because conditions of the field make it hard to take compelling photos. Conditions like wind can shake flowers that require a long exposure or tie a woman’s hair into knots. In the cases that field conditions would lessen photo quality, I’ve used studio environments.

Studio work can be defined as any type of photography that is done in a controlled setting. It can literally mean taking pictures in a studio, where you have lighting and backdrops amongst other equipment, or can mean your kitchen counter, where you have a tripod and plenty of available light.

This post is a taste of some of the shots I’ve taken in a studio environment.

First up is a series of shots I took of some beautiful orchids from my good friend’s wedding in May. She had these flowers placed at every table in the wedding reception. After the reception was over, her mom gave me a pot of these flowers to give to my mom. But… I got lazy and that never happened. I did get a chance to set up my camera and get some really close macro shots, though :).

Now the first thing you might ask when seeing these pictures is if these flowers’ colors are real. They were dyed teal and purple — a fantastic combo if you ask me. The color is not the only thing that made these flowers cool: to me its texturous petals and shiny stamens were really beautiful.

This first one focuses on the stamen, leaving the rest of the flower blurred out. To get really close for these shots, I used a 100mm macro lens with Kenko extension tubes. I used a tripod and long exposures (generally about 2 seconds) for each of these shots. I also stopped down quite a bit (from f/5.6 to f/18) because depth of field is really short on a macro lens.

Macro Orchid
Orchid with stamen in focus (click for larger version or purchase)
This next one, I placed the tripod a bit further back to get a little more of the surrounding petals. I also placed a pink flower in the background to get a nice contrast of teal, purple, and pink.

Macro Orchid
Orchid with stamen in focus (click for larger version or purchase)
In the next shot, I focused on the texture of the petal, leaving the stamen blurred out.

Macro Orchid
Orchid with petal in focus (click for larger version or purchase)
Here’s a different view, with a red flower as the backdrop:

Macro Orchid
Orchid from another angle (click for larger version or purchase)
Here’s another view, with mostly a mostly teal look:

Macro Orchid
Orchid from yet another angle (click for larger version or purchase)
In this last shot, I stopped down to f/18 to get as much of the flower in focus as possible. I also used a solid color background so I could delete it in Photoshop:

Macro Orchid
Fully focused orchid with a white background (click for larger version or purchase)
I find the stamen to be quite a really interesting subject to photograph. Its shiny texture isn’t really evident until you get up really close and personal… nevermind that it’s a sexual organ!!! Here’s another shot of a cool stamen from one of my mom’s flowers. I blurred out the carpels to make the stamen really stand out. I took this one using available light in my parents’ breakfast room and a tripod:

Macro Orchid
Stamen with carpels blurred out (click for larger version or purchase)
Back in April, as a gift from my good friend, I took a studio lighting course. During that course, we photographed several objects using available light, studio light, mirrors, and other props. The coolest thing I learned during the session is how to “paint with light”. The concept was embarrassingly simple and I was surprised I’d never thought of it!

Cameras use long exposures to gradually pull light into its iris, building the photo slowly as the image is bounced back. The concept of “painting with light” involves directing light (like from a flashlight) onto a subject as the camera’s shutter remains opened. You control the light like a paintbrush, selectively highlighting areas you think will be interesting. When the camera’s shutter closes, it records the light you shined in the path you shined it. To do this, the camera’s aperature should stay relatively open so that it remains sensitive to the light you shine on the subject.

Using this concept, I “painted” light using a flashlight onto this statue’s eyes. leaving dark the rest of its face:

Macro Orchid
Painting with light (click for larger version or purchase)
It was definitely a fun learning experience. I would encourage anyone with an interest in photography to try it.

Now I don’t want to leave you with the impression that I only shoot inanimate objects in the studio!!

During the studio lighting course, I also had a chance to photograph a model in the DC area.  Also, last year I visited the DC Carriage House studio and a took a few of another DC model, Joy Hodges. Here is a couple from those shoots:

Joy Hodges
Joy Hodges
Joy Hodges
It was definitely fun to shoot glamour shots with both of these models. I think glamour photography leaves a lot of room for creativity and emotion, so it’s something I want to get more into. Look for collaboration soon with Pallavi Sharma.

There are all sorts of different types of studio photography, some of which I’ve talked about here. It’s a different genre than most of my work, but a compelling one to me nonetheless. It’s in a studio where you can really “create” your own shot instead of “recording” what you see. It takes much more discipline and skill to master as well. I hope to do more studio work in the future, as my love affair with photography continues…

Dewey Beach: An Upgrade

Every summer, my good friends from college and I take a beach trip to Ocean City, Maryland, a place that most of us in the DC area have gone to (at least in our childhood). It had been a tradition of ours to go to my friend’s grandfather’s beachfront condo, relax on the crowded beach, and go out in the (somewhat grimy) bars around town.

Last year, though, we did not have as great of a time as we normally did. Don’t get me wrong: hanging out at the beach is always fun, but we felt that we needed a change of scenery. Maybe going to the same condo on the same beach for 5+ years had worn on us.

This year, my same friend whose grandfather’s condo we use, decided that he wanted to take a beach trip as his bachelor’s party. He thought that it would be a good idea to celebrate it by upgrading our yearly beach destination to Dewey Beach — just 30 or so miles north of Ocean City. Though it is only 30 miles, that short distance makes a BIG difference.

First of all – the beaches are much less crowded. We stayed in the most central area of Dewey Beach, but were still able to get a decent location next to the water when we went to the beach. We also found the infrastructure and crowd to be better as well. The only disadvantage of going to Dewey Beach was that the bars around town close at 1am — a full hour before those at Ocean City. Though that might not be a problem in most circumstances, it does not jive as well during a bachelor’s party :).

Now, not all things are bad at Ocean City. I’ve had plenty of my share of perfect beach days there: when the water is warm, waves are flowing, the sun is shining but not overbearing, slight breeze sifts through the air. Also, the past couple times I went to Ocean City, I saw a school of dolphins swimming through the tide, only a hundred feet out or so. Some people find it hard to believe that Ocean City has dolphins in its water, but it does! Given my experiences in a beach only a few miles away, I hoped for at least one perfect beach day during my stay in Dewey.

Save the first day, when the water was ice cold, we did get perfect beach days for nearly the entire time of our trip. I even spotted a couple schools of dolphins as well. UNFORTUNATELY, I did not have a camera with me… though I hoped to get a glimpse of them again when I had a camera within reach.

Now remember this WAS a bachelor’s party, so as much as I wanted to, I was not able to wake up early and explore with my camera as I usually like. That said, I did wake up early during our last morning there and was able to catch the sunrise from the balcony of our motel.

Dewey Beach Sunrise over the ocean
Dewey Beach – Sunrise over the Ocean (click for larger version)

It was actually much nicer than I had anticipated. Humidity had its grasp (even around 6am) and draped a mist over the water. That mist created a slight glow to the sun that made it look that much more divine. Our motel also had a tall, colonial flag right in front of the water. Though it would have been nice had a small breeze pass by to unfold the flag, it still created a comforting scene. I clicked the scene a few times over, not seeing the man who had intersected the reflection of the sun. Had I gotten the shot a couple seconds sooner and squarely in the middle of the reflection, it would have been great. I guess sometimes you are just a little.too.late.

Overall, our visit to Dewey Beach was a blast. It was a definite upgrade from Ocean City and was a nice vacation from reality. Next time maybe we can go somewhere with bluer water? Why stop upgrading now??!!

Summer Storms

So those of you in the DC area (and anywhere in the USA, really) are pretty familiar with the occasional, intense storms we run into during the summer. This past Sunday, a particularly strong storm came through the area, blowing trees down and ripping down power lines. In fact, there are still some places today around the DMV that are still without power. Pretty intense.

Though storms like these often ruin the routines of our suburban/city lives, they are also a reminder of the force and beauty of nature. So what I’m saying is… I like them :).

As a matter of fact, it was really awesome when the storm on Sunday hit. As I was driving back to my apartment, the sky was just a bit gray and something in the air felt like rain was coming. Within 3 minutes of that, I parked in the garage and walked into my apartment. As I walked in, I did a double take as I thought all of the blinds in the apartment were closed: “Who the hell closed the blinds”, I thought. Then I realized that a black cloud had descended on the sky and was pouring sheets of heavy rain. My bike skipped across the balcony and almost (!) fell off from the 11th floor. The storm was fantastic.

Another thing I love about this time of year are the cloud formations. Big, fluffy cumulus clouds hover over as the warm summer air rises. Oftentimes, you get stellar sunset views around this time of year.

While I didn’t get an amazing shot of the sunset after Sunday’s storm, it was still pretty cool. I put together this quick panorama of the sunset view, after the storm, from my apartment:

Sunset from Arlington, VA
Sunset from my apartment in Arlington, VA

I made this panorama using about 7 or 8 shots stitched together in Photoshop. The foreground in this shot is a little dark, but without using High Dynamic Range (HDR), any brighter of an image would wash out the colors in the sunset. HDR is really cool, but sometimes can look a bit unnatural. Basically, it entails taking several shots at various exposures and blending them to create one image. Though your eyes can see in HDR, the camera cannot do that normally – so a little photo manipulation is required. You can see an example of HDR in this shot.

Back to the summer storms now. So, on Monday I took a trip to San Antonio (where I am writing this blog entry from). Flying during this time of year is hit or miss because there are so many storms over the U.S., and while unfortunately my flights were delayed throughout my outbound trip, fortunately I was able to see some pretty cool clouds and storms.

I just got a new lens: the Canon EF 200/2.8L. I bought this lens to mainly help me reach closer to wildlife I have been shooting recently. However, I also found this lens useful in shooting from an airplane, as it zooms further than the wings of the airplane (which screw up so many shots!). Below are a couple quick shots I took during my outbound trip.

Cumulus Clouds over the USA
Cumulus cloud formations (click for larger version)

The first shot is of a towering cumulus cloud that reached up to the sky. I thought this shot was really cool because, mind you, this was shot using a strong 200mm zoom… and this was just one part of a massive cloud formation. This cloud was HUGE. Also note the tiny clouds on the left side that are being overshadowed by the tower. Good job there, Mr. God. Good job.

A storm and a sunset
A storm and a sunset (click for larger version)

The second shot is of a storm gathering in the distance as the sun sets. On first glance, the black covering on the top left side of the shot looks like something is blocking the lens in the foreground. Actually, it is a dark cloud about to unleash a storm. The clouds directly ahead are painted nicely by the sun setting to the left, which to me creates a nice contrast. Unfortunately, I had to shoot this shot at a higher than desired ISO. This allowed me to have a shutter speed sufficient to get a clear shot, but it also allowed some noise to creep in.

Although I got some cool views on the way in and hope for the same on the way back home, I would also like to get in to DC in time. Can I have both? Please? Hope for me and I’ll see you back home around 9pm.

Just came back from St. Thomas!

Over the 4th of July weekend, we went to St. Thomas. Wow… what a gorgeous place. The only other Caribbean island I had been to was Puerto Rico, which in my opinion does not compare to St. Thomas’ beauty.

Here’s a photo of Yaminee enjoying her time at lunch on the beach on our first day. More photos to come!

St. Thomas, USVI
St. Thomas, USVI

Stay Tuned: Cabo San Lucas, Mexico

As some of you may know, earlier this month myself and a group of guys went to Cabo San Lucas, Mexico to celebrate my good friend, Mani Iyer’s bachelor party.

And yes, while we DID enjoy the nightlife that Cabo offered, we also made it a point to see some of its natural beauty.

In the near future, I will be posting photos from our trip. But in the meantime, here is just one – of the beach in front of our hotel, the Pueblo Bonito Rose (which I highly recommend):

Cabo San Lucas Beach
Cabo San Lucas Beach

Stay tuned for more pictures.

A Tribute to my Father

I know this is a couple days late, but… I wanted to do this post for Father’s Day. Hopefully, its still relevant and meaningful.

My father is the first person to get me interested in photography. When we went on family vacations, my Dad would always bring his still and video cameras. As time passed, I took more and more photos, always using the direction and help from my Dad.

My father has been taking photographs for years. In fact, many of his photos are in the form of 35mm slides that must be viewed with a projector. Recently, he and I undertook a project to scan his 35mm slides so that they could be better preserved and easily shared.

Below are two shots my father took that I think are pretty cool.

The first one is a shot he took in 1958, of the skyline in Chicago. If you look closely, you can see the then newly erected Prudential building. Also, take note of the cars in the foreground. Pretty cool trip through time.

Chicago Skyline 1958 Prudential Building
Chicago Skyline in 1958

I like this shot for many reasons. First, because of the way the buildings cascade down from the left to the right, leading up to the main road. And I like it because we can see the main road, from the end where it hits the circle from which my dad is taking the shot, all the way into the distance. Lastly, I like how the shot is off-centered, but with a purpose. The composition allows you to see the buildings and sky, the long distance in the road, the cars in the foreground, and the lake to the right. Any other composition, and you may lose the details of any of the above.

Oh, and the last reason I like the shot… the ledge in the foreground from which the shot was taken is almost completely symmetrical on both sides. Pretty impressive, given that my dad only needed one shot to get it right.

This next shot is of Washington, D.C. in 1962, from the view atop the Washington Monument.

Capitol in Washington, D.C. in 1962
Washington, D.C. in 1962

I like this shot, again, for its symmetry. But also simply because its an old school look at a city I am partial to.

If you look on the right side of the shot, you can see a dilapidated old building. My hopes are that they renovated, or better yet, tore down that building. In the distance is a building that is letting off quite a bit of smoke. Perhaps that’s a sign of more relaxed environmental regulations of the time. It also looks like there’s some construction happening right below the Monument where the National Mall starts. I think its pretty cool that the Mall was (seemingly) still in construction.

Through this post, I wanted to share the source and inspiration behind my passion for photography. I really owe a lot of my passion for photography, amongst countless other things, to my Father. So with that, I would like to wish a happy (belated) Father’s day to all the Dads out there… and to my Dad too.

Introduction

Navin Sarma PhotographyWelcome to my new blog!

Since I launched my photography website (navinsarmaphotography.com) in late 2008, I’ve used the site to display my favorites photos. I’ve really enjoyed maintaining the site, and will keep it going strong well into the future.

However, the one thing I felt was lacking in my site was the story behind each photo. Several times, I’ve had people ask me what I was doing when I took a certain photo, how it felt, where exactly I was, who was there, and so on. The purpose of this blog is to tell the stories behind the photos. I hope to tell the stories of all the photos currently in my portfolio, and the stories of the photos I have yet to take.

As I update this blog, I will link photos back to my website, so that they will be available as wallpaper and for purchase as they have always been. Navinsarmaphotography.com is not going anywhere!

As I continue to update the blog, subject areas might evolve. But I hope to keep it interesting so that you keep coming back. 🙂

Here’s to a new beginning.